Showing posts with label American heiresses. Show all posts
Showing posts with label American heiresses. Show all posts

Saturday, February 2, 2019

SCANDALOUS HEIRESS debuts Monday, Feb 4! What do American Heiresses do on their summer vacations?

AMAZON BUY LINK!
What do American heiresses do on their summer vacations?

In my series THOSE NOTORIOUS AMERICANS, they all fall in love!

In Book 4, Scandalous Heiress, Ada Hanniford accompanies her friend Esmerelda Moore to a summer house party and meets a man who never intends to marry anyone ever. Victor Cole had a hideous marriage and he means to save himself the trouble of another disaster. Until he meets Ada, and he cannot help himself from falling in love with her.

She was his ruin.  
He was her salvation.
Ada Hanniford is a spirited American heiress whom Englishmen seek to marry for her millions.
Victor Cole is a rich tai-pan with a scandalous past. Claiming Ada for himself, he rescuesd her from scandal. And destroys his own bright prospects.
Can they be happy if few can forget their pasts?

If you love swoon-worthy historical romance, starring endearing heroes, sassy heroines and a family of irresistible charmers, this book is for you!  Buy SCANDALOUS HEIRESS to begin your journey!

SCANDALOUS HEIRESS is the fourth book in THOSE NOTORIOUS AMERICANS series but can also be read as a standalone novel.
Book 1: Wild Lily (Lily and Julian)
Book 2: Daring Widow (Marianne and Remy)
Book 3: Sweet Siren (Liv and Killian)
Book 4: Scandalous Heiress (Ada and Victor)
Book 5: Title, TBD. (Camille and her mystery lover!)

Buy SCANDALOUS HEIRESS:

AMAZON:https://www.amazon.com/gp/product/B07LB9KFM9/

B&N:   https://www.barnesandnoble.com/w/scandalous-heiress-cerise-deland/1130406401?ean=2940161284896  

KOBO: https://www.kobo.com/us/en/ebook/scandalous-heiress-4

And iTunes soon as I am having troubles with mounting it there! SIGH!


Cerise’s Brief bio: Cerise DeLand loves taking readers to distant times with men who cannot undo those dastardly corset laces…and ladies who love them for fumbling!

Join her newsletter:On home page of her website! www.cerisedeland.com

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Cerise DeLand's Amazon Author Page: https://www.amazon.com/-/e/B0089DS2N2
Goodreads:  Cerise DeLand



Wednesday, July 18, 2018

Lace gowns for royal christenings, weddings! Setting a table in a different way, too!

1908 Wedding gown of
French Valenciennes lace.
   Wearing lace has long been the sign of wealth. The English, French, Germans and Italians make some of the loveliest, but others do too. Made by hand, with use of a bobbin, or by machines, laces come in different quality, patterns and affordability.

   Some can be turned into gowns as in this wedding gown, 1908 of Ivory silk and satin with French Valenciennes lace to adorn it.
 
   Many laces are strong enough to be incorporated into sleepware as in this fine lawn nightgown of Valenciennes lace, circa 1880s.

   But babies wear lace, too! The recent christening of Prince Louis was the occasion for the British royal family to bring out its newest version of Honiton lace christening gown. The previous one, worn by Prince George and Princess Charlotte, has been retired, it seems, after use by 62 royal babies including Her Majesty.

   In French towns, such as Chantilly north of Paris in suburbs, lace was a favored business. The local aristocrats encouraged the production of lace and Louis XIV, XV and XVI wore it, used it and were criticized for doing so. The French even decreed that a table should be set, fork tines down, so that one's lace cuffs should not catch on them!
Fine lawn nightgown with French Valenciennes lace, circa 1880.
19th century Honiton lace collar and cuff
    Do note this picture of 19th century English Honiton lace collar and cuff. You can readily see how a fork might well catch on these and destroy not only your pristine attire, but also ruin your dining experience!

   Here a picture I took in the Chateau of Villandry where the table is set for dinner, 19th century period, fork down.


Fork down for dinner to preserve your lace cuffs!
The popularity of lace and patronage of the business came from aristocrats. In France, lace became a marker not only of wealth, but before and during the French Revolution, a sign of corruption and disdain for the masses. In the Reign of Terror, not only Marie Antoinette and her friends suffered from the guillotine. But the lacemakers of Chantilly were accused of treason and sent to their deaths. Only years later did Napoleon patronize the development of new lacemakers and sponsor their renewed influence and prosperity.
French Alençon needle lace of 1775.
1890 French Valenciennes lace Wedding gown.
If you love historicals and can't get enough fashion or art or Paris (!!!), I hope you will read my saga of THOSE NOTORIOUS AMERICANS series.  Here is Book 2, still only 99 cents!
Want to go to Opera Garnier?
Drink champagne at House of Worth?
Dance at Moulin de la Galette?
Live in Montmartre with a charming sculptor?
You need DARING WIDOW! 
Amazon:  https://amzn.to/2sOjRXj
B&N: http://bit.ly/2sPn359 (digital)
B&N: http://bit.ly/2xYq74u (Print)

Tuesday, February 13, 2018

An older hero? A vibrant heroine? Romance at any age! SWEET SIREN debuts soon!

Amazon.com: Cerise DeLand: Books, Biography, Blog, Audiobooks, Kindle
Ever wondered if you could find a romance with an older hero? I decided to give my 48-year-old father of three and robber baron a lady love who initially gives him the cut direct! 

She has reasons.

He, however, shows persistence. And when he encounters her again at another family wedding—this time his niece Marianne's to her French duc de Remy—Killian Hanniford decides he will demand to know why she was so rude to him!

You'll want to know too.

And in the meantime, you'll come along with me as I show you Brighton, England in all its glory in the Victorian period. I'll show you how wealthy men had grand country houses built. I tell you about how much they cost! GASP!

And I'll will show you how they decorated the interiors! And yes, I give you a grand love affair for two people who never thought they'd love so well ever again!

Here, too, I show you my full print covers for SWEET SIREN and for Book 2 in the series, DARING WIDOW. I just adore the art...and there is a story to each panorama!
Come with me and learn what those stories are...and experience Brighton in the age of the "bathing machine" and Paris in the age of Belle Époque!

Friday, November 17, 2017

A nibble of my new cherry? DARING WIDOW's charming rogue!

Pre-order now at AMAZON for half price!
Money can buy anything, can't it? Those brash Americans--their dollars and charms work wonders. Until they learn that money can buy anything...but love.  
FROM BESTSELLING AUTHOR OF ROMANCE FICTION, CERISE DELAND 
Book 2 in THOSE NOTORIOUS AMERICANS series


Andre Claude Marceau, Duc de Remy and Prince d’Aumale, finds Marianne’s joie de vivre enchanting—and her plan for a temporary affair with him impossible.

He offers her one night in his arms, and to his delight, she craves another. But he needs more from her than a few hours of bliss. So when he shows her how to fill her days with passions that complement those they enjoy together at night, Marianne must choose.

Will she insist on a passing fancy? Or will she abandon the terrors of her past to embrace a brighter future beside a man who offers her a grand love affair with life?

Excerpt, DARING WIDOW, Copyright 2017, Cerise DeLand.
Marianne stood in front of Number 10, her destination. A three-story stone structure with grape leaves carved in relief into the frame, the building had two abnormally large doorways. They appeared to be proportioned to receive a sculptor’s works. The one with a large cut glass window seemed to be the entrance. Inside, the concierge in a somber black suit spied her, hurried out and opened the door for her.
The address was the same as on the billboard. The plaque on the door proclaimed it as the “Gallerie de la Cite.”
“The Duc de Remy’s exhibit is here?”
Oui, Madame. Through the foyer and up the grand staircase.”
Merci beaucoup.” She sailed through the lobby and up the steps. Four other patrons casually climbed the broad steps.
At the top, she halted her in her tracks. A man and woman passed around her. But she stared at the sculpture before her. It robbed her of breath.
Here upon a black granite plinth stood a man of white Carrara marble, eight or nine feet tall. All muscle and bone, honed by battle and hewn by strife, massively masculine and robust, he was of such proportions that any other human would fall down in honor of him. He stood in the center of the oval entry to the rest of the exhibit, sunlight from a semicircle of windows shining on him, shadowing the arc of a bicep here and emphasizing the indentation of a deltoid there.
Yet he did not stand tall, but was hunched. His back was curled, bowed in new defeat. His hair long and ragged, etched in the pristine marble to invoke its filth, shrouded him to the waist. Ropes circled his torso and hung from his wrists. His noble head hung lax from his corded neck as he stared at the nothingness before him.
The beauty of this body was nothing to the grand agony of his face. She gasped at the sight and could not look away.
She walked around him and bent to face him. He looked at her, but beyond her. He was blind, in torment. She drew back, aghast once more at the brutal honesty of what she saw.
This was a strong man brought low. By loss. By self-destruction.
She ached with him. Once proud, dynamic. A man others had once envied and emulated. A man so capable, so honored and now, abandoned by others and most tragically, by himself.
She stood for how long she did not know. The power of him infusing her. And the power that he’d lost draining her of envy and inspiring pride at Andre’s talent to portray him so precisely.
Across the room, beyond the giant, a young man in an apprentice’s smock tipped his head in question. Not at her. But someone who stood behind her. He tipped his head and, as if on signal, he departed.
Her skin tingled.
The hunger she’d felt for months dissipated. She’d be sated now.
Bonjour, ma petite,” Andre said in that bass voice she heard in the bleak hours of her lonely nights. “I dared not hope you would come.”
She closed her eyes, wishing to hang on to this moment when he was happy to see her and she was as delighted to see him. In this slice of time, there was none of her inner conflict, no yearning to find him, see him, laugh with him. There was just satisfaction. But it could not last.
Why not tell him the truth? He had asked for honesty and he did not deserve duplicity. He had only told her how he admired her and she had rebuffed him out of…what? Not convention, no. But her own fear to allow such a strong man near her heart or body. Perhaps even her own fear of her outrageous ambitions? She faced him, and oh, the delight to see him again ran through her like cool water after a drought. He was as tall, as magnificent as she remembered him. Perhaps more so, since she had pined for him so badly.
Bonjour, Andre.” She gave him that, his given name as he had allowed her use of it. During these past months, she’d thought of him that way, the sound of his name slipping through her lips at night as she attempted to draw him. Andre. “I saw a billboard and I could not stay away.”
He stood against the white marble wall, the gold veins of the stone highlighting the gilded mien of his own long waving hair. He had folded his arms and one leg was casually crossed before the other. He wore a loosely cut black wool suit, a bright vermilion vest, a white linen shirt open to his strong throat and a purple kerchief tied at his neck. Every inch of him denoted the artist at his leisure.
“I’m glad I’ve come. This—” she said and lifted a hand toward the statue, “—this is glorious. I heard others speak of him but they did him no justice.”
He gazed at her with hollow eyes.
“No words can,” she went on, wanting to give him more praise and unequal to the task. “Will you tell me about him?”
“Him?” he asked, as if she had insulted him with the question.
She knew why. He wanted her to ask about himself. And she would. She would.
He stared at her. “You know who he is.”
She did. “Who could not? To view him is to know. No pamphlet or placard need declare it.”
A light glimmered in Andre’s blue eyes. “What do you see?”
“A man torn by his own desires and ruined by his own misjudgments.”
His marvelous mouth firmed. Pride lit his face. “And?”
“He will never see himself again.”
“He did not truly see himself before he was blinded.”
“A punishment,” she acknowledged, “to fit his crime.”
Andre shifted, peering at her with narrowed eyes. “There is another he will not see.”
Oh, yes. “He will never see her again.”
“The one who betrayed him.”
She nodded. “The one whose beauty he believed was soul deep.”
Andre pushed away from the wall and approached the statue. “He must pay for his own failure to perceive her true nature.”
“She was not equal to him.”
He whirled to face her. “That’s not what he believed. He thought she was the most beautiful creature he’d ever seen.”
“The beauty was outside. Her core was hollow.”
“He pays for his miscalculation,” he said.
She dropped her gaze to the floor, anxiety eating her that they spoke of more than the statue or the Biblical story of the blind man and the woman he had loved so unwisely.
“Do you think she pays?” he asked, his deep voice wistful.
She raised her face to consider the statue’s tortured expression. “Delilah?”
He waited.
“Oh, yes. She forevermore will hate herself for her own failures and unworthiness.”
Andre took her by the wrist. “Come with me.”
Her pulse jumped.
He led her down a hallway and into a room where he shut the heavy wooden door and drew her into a room crowded with bronzes and plasters, scattered about on tables and shelves. Two ivory overstuffed chairs stood in one sunlit corner near a sumptuous black velvet chaise longue.


Wednesday, November 15, 2017

DARING WIDOW enchants a prince in DeLand's blissful Victorian romance! Pre-order for half today!

Pre-order on AMAZON now!



Andre Claude Marceau, Duc de Remy and Prince d’Aumale, finds Marianne’s joie de vivre enchanting—and her plan for a temporary affair with him impossible.

He offers her one night in his arms, and to his delight, she craves another. But he needs more from her than a few hours of bliss. So when he shows her how to fill her days with passions that complement those they enjoy together at night, Marianne must choose.

Will she insist on a passing fancy? Or will she abandon the terrors of her past to embrace a brighter future beside a man who offers her a grand love affair with life?

Saturday, July 8, 2017

THOSE NOTORIOUS AMERICANS! Money can buy anything! Anything but love!


Money can buy anything. Can't it?  

When American robber baron Killian Hanniford decides to expand his business empire, he sails to Europe in 1877 and takes his family with him. 

His two daughters—Lily and Ada—are beauties, accomplished and educated. They want for nothing, except a chance to find husbands who love them for themselves, not their dowries. 

His niece, Marianne, is also lovely, shy and a widow who wants for nothing…except perhaps an entertaining and impermanent lover. 

Killian’s son, Pierce, is young, impetuous and too ruthless, it seems, for any young woman to take on as a husband. 

Even Killian himself—without a wife for many years but increasingly bored by his mistress—is shocked to learn he can fall in love. 

Tragic, isn’t it, to learn that money can buy anything but love?

WILD LILY, Book 1, on pre-order August 30!


Thursday, April 27, 2017

A night at the opera/ A chance for seduction! #Paris

Grand Hall, Opera Garnier, Paris
I went to Paris for research and had to take in the Opera Garnier!
I start a new series, THOSE NOTORIOUS AMERICANS, October 17 with a novel starring a family of brash, bold American beauties and eligible robber barons.
Every American heiress had to have a wardrobe fit for a princess or duchess or whatever ancient title she could grab. So she went to Paris. Her papa spent tens of thousands on a complete wardrobe for her from lingerie to tea gowns to evening gowns and many many chapeaus! He also hired French or English ladies, impoverished as they were, to educate their young misses in everything from how to curtsy to how to use a fish fork.
These impressionable young ladies went to cafes, the races and soirees galore.
Detail, Grand Hall, Opera Garnier, Paris
While there, they also had their nights at the opera. The Opera Garnier, to be precise. In my first novel in the series, WILD LILY, our heroine and her entire family go to an evening at this ornate example of Belle Epoch architecture. They sit in a box. (I did.) They sip champagne in the refreshment room. (I went but did not sip.) They escaped to the balcony for an assignation or more. (I went with Mr. DeLand out onto the balcony but we were quite modest at 3 in the afternoon!)

There were explicit rules about how to arrive, when and why and what a lady might and might not do at the opera. I've incorporated all my research for you...and added a bit of risqué elements to entertain you!

Draperies at entrance to Grand Hall,
Opera Garnier
And not only in the first book do we go to the opera. But in the second book in the series as well. There I treat you to a Frenchman you won't be able to resist. Neither can my American widow who wanted only one night of pleasure...and gets much more than she bargained for!
This second in the series is not yet titled, but you can look for it early in January!

Enjoy the rest of my pictures! I adored this lavish theatre and I hope you will too!

Interior of the theatre.


Grand Circle, entrance to private boxes,
Opera Garnier, Paris

Grand staircase, Opera Garnier, Paris

Detail, Grand Staircase, Opera Garnier,
Paris

Red velvet chair, private box, Opera Garnier 


Wednesday, April 19, 2017

Those "Dollar Princesses" bought their hubbies! How much did Churchill's mama pay? What's it worth today?

Jenny Jerome Churchill
1854-1921
The courtship was whirlwind. Days, they knew each other before he proposed. Weeks only before they were married. Yes, Jenny Jerome and Lord Randolph Churchill met at a yachting party on Cowes and within days the man had proposed to the American girl whose papa, Leonard, was very, very rich.

Prior to the passage of the British Married Women's Property Act of 1882, women had no rights to their husband's property. Therefore, the Duke of Marlborough assumed that whatever dowry Jenny had would be given to her future husband. Leonard Jerome demanded any money he offer be controlled by his daughter.

Once he proposed, Randolph was met with a skeptical father. And his sire wanted a solid financial arrangement to complement the marriage. They haggled for months over the money.

After much debate, Jenny father agreed to 50,000 pounds (approximately 3 million pounds in present day value) producing 2,000 pounds income each user with half of both capital and income going to the husband and half to the wife. This equalled approximately 150,000 pounds per year for them to live on. The fact that Jenny had control of her own money was an extraordinary concept in that day and age, one to which the Duke objected heartily. His argument was that by marrying his son, she would give up her American citizenship and become a British subject. Therefore, she should live as one. Fortunately for her, her father did not agree.

As soon as the families agreed to this amount, Jenny and Randolph were married. However, this was not done at the Marlborough estate, nor any where in England but in Paris at the Hotel Charost, the British Embassy in Paris. (Those of you who read this blog regularly will recall that the Hotel Charost was once Pauline Bonaparte's house bought by the British Government for the Duke of Wellington after the defeat of Napoleon in 1814.)

So read more about these ladies, I hope you will read my own American Heiresses series!

References:
McCall, Gail, and Wallace, Carol McD., To Marry an English Lord, 1989.
Jenkins, Roy, Churchill, A Biography. 2001.
Lady Churchill, Her sons Jack (l) and Winston (rt.)


Tuesday, April 11, 2017

How much will you pay to marry a duke? House of Worth, Rue de la Paix #Paris

This picture of of Worth house in the Rue de la Paix in the 1870s. 
To be able to debut in European society in the 1870s up until 1910s, it was oh so important to dress the part. What better way to do it than to go to House of Worth where a girl could be measured and outfitted for a mere...oh...$50,000 for the Season!

Yes, it was vital to appear fabulous when shopping for a duke or a baron...or anyone else in between.  Jennie Jerome went to Worth. So did the Vanderbilts and the Astors. Anyone who was anyone went and acquired one of Worth's vendeuses (personal sales girls).

Frederick Worth was considered the first fashion designer but many, like Madame Pacquin, very close by in the Rue de la Paix were just as good and just as expensive.
The underpinnings of a bustle!

The drama of dressing was long and drawn out. To wear a bustle was truly a challenge, not only to walk in one but to sit and yes, shall we discuss how to manage the necessities of life in one of these contraptions? Add to that the discomfort of one of the era's corsets, and a girl could get rather tired of carrying around such extra weight.
Madame Pacquin, French designer
and competitor to Worth

Frederick Worth, Englishman and designer,
#7 Rue de la Paix

Evening gown, House of Worth

Walking costume, House of Worth
corset, late 19th century

corset, late 19th century

All this so that one might sweep up this staircase in the Opera Garner in Paris
and appear stately, rich and desirable!


My photo of #7 Rue de la Paix from a research trip last October!
Still as impressive looking as in its heyday. Not far from Opera Garnier, Tiffany's and more!