Showing posts with label American heiress. Show all posts
Showing posts with label American heiress. Show all posts

Wednesday, March 21, 2018

English Country Houses! You need to hear how they were built! Monday at 2 EST!

How were those huge country houses built? How much did they really cost? Who designed them? Who decorated them?

I've begun a series of short chats on Facebook to describe my research—both in books and in person—to help me portray these houses in my novels. A lot of what I've learned cannot go into every book. THAT would be "hanging the drapes" and telling you every tiny detail you don't need to know to enjoy a novel and get its verisimilitude.

Do come here to chat with me! https://www.facebook.com/cerise.deland
SWEET SIREN is Book 3 in my series,
THOSE NOTORIOUS AMERICANS, out now.
At a reduced introductory price for a limited time!
Amazon 

But I give you a few tidbits, a few illustrations, most of which are my own pictures!
Join me, ask questions!

I began this research years ago to complement my novels and have continued, especially with my newest out now, SWEET SIREN. Here the hero—an American tycoon and robber baron—commissions an architect and his designer to build a country house for him in Brighton in 1879!


A posting in a newspaper about the opening of Harlaxton Manor House, the house you see in my post above! Marvelous, isn't it, that it was open to the public...for a price?
I will discuss my tour, among others, in Brighton of REGENCY TOWN HOUSE.
This building is owned by a non-profit and renovated by experts in period construction!
Do Follow them on Twitter for more info!

My picture of a part of Prince Regent's Royal Pavilion in Brighton!
I will talk about this in detail and tell you why and how it influenced the growth of seaside Brighton!

My picture of one facade of Spencer House in London.
I will discuss at a future date how this townhouse differs from many others, especially those in Brighton!

Monday, January 15, 2018

Travels with Cerise, Part I: How I get great tidbits in my historical romances!


Cerise at Ham House, outside London
 (All pictures are property of Cerise DeLand, 2016. 2017, 2018.) 
The biggest challenge to writing historical romances is getting all the facts right! The romance usually comes to you in a flash. The hero appears, the heroine startles or the conflict between them lives for you. But getting the details about their relationship correct and the setting is a huge challenge. Research, not just those facts found in the pages of a thick nonfiction tome, but those discovered on holiday abroad make my job as a writer a delight!

My latest book based on research trips to Paris and Montmartre!
Traveling to “imbibe” the setting and atmosphere of the period is a great way to spend a vacation. I think so. I know many authors do.  Some go alone. Others take their friends or spouses. Mine, thank goodness, is tickled to go. And because he speaks French (and I speak German), we complement each other and get so much done!

Pump Room, Bath, England
Door from library
to Duke's bedroom
Ham House
Luckily, he likes my choices of places to visit and things to do. All of them, we research on-line and in printed references at home months before we catch the plane. This May is our next vacation when we do the Loire Valley for 3 weeks (and 12 castles, a vineyard and a monastery!) and then back to Paris to eat well, walk and visit old haunts.

What can you learn by doing this kind of research on the hoof?

Briska de Voyage at Vaux le Vicomte, south of Paris
made by Fuller in Bath, England
For one thing, you learn how far a house was from the center of royal court! In this first photo, I stand before Ham House in what is now suburban London. But in the early 17th century, this grand estate was far enough from the capital to be serene and close enough to allow the owners (earls of Dysart and Lauderdale) to respond to any summons from the monarch.

What you also learn from such a trip is a sense of terrain and social intercourse. Ham House is on the river. Very close to two other notable country homes, Ham sits so close, you can look across the river and imagine how members of the families visited—or argued—or fell in love with those nearby. You can also stroll through the kitchens (like the one where I’m standing in Kenwood House) and marvel at the huge roasting pit. You can examine the kitchen garden where the lady of the house painstakingly grew her vegetables. You can enjoy the stillroom where cooks dried herbs or the dairy room where maids separated cream and churned butter. You can admire the dolls that were Queen Victoria’s when she was a child. Or note the splendor of her bedroom when she visited Syon House. Even more intriguing is to stand next to the figure of Prince Albert her husband in all his court regalia (as he is in Kensington Palace) and note that he was rather short!


Queen Victoria's
doll collection,
Kensington Palace, London
Regency Town House,
Brunswick Square,
Brighton
You get to admire the true colors of a Regency library as at Kenwood House. Or the splendor of the dining rooms in their formal table service as in those at Syon House (owned by the dukes of Northumberland) and in the Imperial Palais de Compiegne (Bourbon kings and Bonaparte emperors) in suburban Paris. You go to Bath, as Jane Austen did, and have high tea in the Pump Room, drinking ‘the waters’. Tasting it, you discover it’s rather metallic and very unpleasantly warm! You go to Montmartre up on the windy hill in Paris and note that the Moulin Rouge beckons. So does the Moulin de la Galette where Parisians went to dance each night to escape their small rooms. Today, a restaurant stands there, but you can imagine yourself waltzing…and you can dream that your characters do too.

Farther up the Butte in Montmartre, you can enter the house that Auguste Renior once rented. Now a museum, the house displays the atelier of many an artist who gladly lived up in the suburb of Paris. Here the breezes cooled them and wealthier citizens came to buy their paintings and their sculptures.

Walking along the streets of Paris, you can imagine what hardship it must have been to walk the cobbles for miles in wooden shoes. Or how comforting to climb into a smart Briska Voyage carriage (made in Bath, England and now on display at Vaux-le-Vicomte, south of Paris). You imagine sitting in the library at Spencer House looking out on Green Park, so close that people would walk up and wave at the earls inside!

Atelier of artist,
Musee de Montmartre, Paris
You can see the effects of candles and smoke on the bright Regency colors of the walls, turning them dingy. You can smell the old, fine leather of the chairs and marvel at the original volumes of Ivanhoe and Pride and Prejudice on the library shelves.

You can imagine your hero and heroine waltzing in the ballroom at Syon House. Or see them strolling along South Moulton Street in London to go to the dressmakers or the tailors. Or climb into the high tester bed swathed in yards of stiff brocade as they retire for the night.

Painting with words without such rich sensations would be creating from whole cloth, poor representations and bland.

Travel abroad adds color, enrichment and accuracy to our novels. And aren’t you glad, authors take such time and care to show you what life was like for those characters who ‘existences’ we choose to enrich by having them fall in love?

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Who is Cerise?
Cerise DeLand loves to cook, hates to dust, lives to travel, read and write!
She pens #1 Bestselling Regencies and spicy romances starring SEALs! Yep. She loves a dashing, hunky man paired with a sassy woman.

Find Cerise:
Cerise DeLand's Website:  www.cerisedeland.com
Cerise DeLand's Amazon Author Page: https://www.amazon.com/-/e/B0089DS2N2
Like her on Facebook: CeriseDeLandAuthor
Follow her on Twitter: @cerisedeland
Goodreads:  Cerise DeLand



Saturday, July 8, 2017

THOSE NOTORIOUS AMERICANS! Money can buy anything! Anything but love!


Money can buy anything. Can't it?  

When American robber baron Killian Hanniford decides to expand his business empire, he sails to Europe in 1877 and takes his family with him. 

His two daughters—Lily and Ada—are beauties, accomplished and educated. They want for nothing, except a chance to find husbands who love them for themselves, not their dowries. 

His niece, Marianne, is also lovely, shy and a widow who wants for nothing…except perhaps an entertaining and impermanent lover. 

Killian’s son, Pierce, is young, impetuous and too ruthless, it seems, for any young woman to take on as a husband. 

Even Killian himself—without a wife for many years but increasingly bored by his mistress—is shocked to learn he can fall in love. 

Tragic, isn’t it, to learn that money can buy anything but love?

WILD LILY, Book 1, on pre-order August 30!


Tuesday, December 20, 2016

The #Victorian bride in her# wedding finery! Designs from #Paris, ooo la la!

   This white satin bridal gown, circa 1876, is the creation
of the French dressmaker, Madame Fladry whose shop was in rue Richer.
Yes, I am nearly done with my HUGE, HUGE novel #1 in series starring American heiresses who marry European aristocrats during the Victorian period. Title? Undetermined yet.

(In fact, I will run a contest for this title and give prizes for the top 3 I like! Do you get my newsletter? Sign up here to enter that contest:  http://eepurl.com/Jm55L It runs next week!)

I say HUGE and really mean it. It is 90,000 words. Yes. Do fasten your seat-belts. These are much longer than my usual novels and encompass an entire family of buccaneer Americans, including two daughters, one son and a cousin. Even the widower (and very handsome father) has a romance of his own!

Of course, I had to investigate wedding attire, how to get the best (French), how to put it on (think layers, dahlink!), and, because this is a sexy romance, how to take it all OFF! (Carefully!)

And where do all these marvelous leafs come from? WEDDING FASHIONS 1862-1912, Designs from La Mode Illustree, edit. by JoAnne Olian.
   The dressmaker for all of these gowns is Madame DeLaunay in rue Godot-de-Maury. The bride's gown dates from Madame's collection of 1882 and is done in duchesse satin. 
     Here we see the bride with her well-dressed father, her attendant and that lady's escort as they enter the church for the wedding ceremony. In Great Britain, the attendant was known as simply that until approximately the late 1890s, when she becomes a "maid" or "matron of honor". A bride had an attendant to help her address invitations to the ceremony, carry out errands, plan for the ceremony and any reception afterward, plus help her dress the morning of the wedding. 
   The attendants, both male and female, acted as witnesses to the ceremony, a necessity to ensure its legality.

   This leaf shows a fashion design from 1880.